Artist Planet

I just got home from teaching Tai Chi at The VA.  Before class, I do my rounds and personally invite the residents.  As I was checking in on one of my regulars (Mr. X), his roommate started to give me his two-cents about Mr. X.  I politely interjected and explained how it is not important for me to know about all of this (e.g. what the nurses think about Mr. X).  In fact, his description of Mr. X was completely different from what I knew of him in class – the relationship I DO deeply care about.  The roommate and I continued to have a very nourishing conversation about what artists bring to the table vs. therapists and clinicians.  He totally got it.  It seemed to blow his mind – he said it was as if artists were from another planet – that our approach to healing was literally out of this world.  He fully appreciates the work that we do, understands the expertise we bring, and sees the need for it.

There are two of us who teach this class as part of a NCCA program and we have had the freedom to design the class in a way that draws on our dance background.  The core of the class is the 18 Shibashi movements.  Some of the residents have been practicing Tai Chi for years and take the class religiously.  Others join in here and there or use the class as part of their rehab.

The residents are so used to being identified/addressed in a certain way.  As artists, we get to engage with the residents without any knowledge of their diagnosis, history, or behavior.  We are the only staff people (aside from the incredible volunteers) who knock on their door without trying to fix them.  We connect simply as human beings and breathe, listen to soothing music, and move together.  I didn’t realize until today, that this fact is invisible.

I feel energized from class today and grateful for the time I have right now to sit and write about it.  My goal for myself as the year plunges forward is to take care of myself.  The summer was tremendously full and I have not been able to take time for reflection and connecting the dots in my work.   I know September always swoops in with gusto so I want to be ready.  I want to be in a satisfying rhythm of exertion and recuperation.  I want to connect the dots and stop rushing everywhere.  Self-care just makes sense – Cheers to happiness, health, and doing my best work!

July Drop-Ins

I have a random teaching schedule this month so I thought I would post all of the classes in one place!  Hope to see you in class!  All levels welcome!  Email me with any questions!

Thursday July 9, 7 – 8pm
Contact Improv Class (Jam to follow)
The Dance Loft on 14

Monday July 13, 7:30 – 9pm
Beginning Modern Dance
Joy of Motion, ATLAS

Thursday July 16, 7 – 8pm
Contact Improv Class (Jam to follow)
The Dance Loft on 14

Saturday July 18, 1:30 – 3pm
Beginning Modern Dance
Joy of Motion, Bethesda

Monday July 20, 7:30 – 9pm
Beginning Modern Dance
Joy of Motion, ATLAS

Monday July 27, 7:30 – 9pm
Beginning Modern Dance
Joy of Motion, ATLAS

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Family

My grandfather “Zadie” turns 92 this month.  He lives in Chicago but we are very close and talk almost every day about all aspects of life.  He, along with my grandmother “Bubbie,” is curious about my life – always asking me good questions, giving advice and trying his best to understand what I do.  A few visits ago, I lead my grandparents through guided imagery and they found it very relaxing.  Zadie asked me to record my voice onto a CD to help him manage stress and practice relaxation on his own, so I did.  I was happy to do this little easy gesture for him.  He listened to it and liked it and shared lots of feedback.

1.  Copyright and sell the track.  He thought that I should do this right away.  I agree.  Great idea.  People at the hospital have asked me about this before.  Although this is flattering, it just hasn’t felt like a priority for me.  Plus, I love what I do because of the face-to-face human connection.  My friend and colleague at Georgetown Hospital, Tamara Wellons, might collaborate on this.  We might record 1 track of guided imagery and 1 track of her singing.

2.  Speakers and Microphones.  This piece of feedback was difficult to decipher at first but I think I got it.  He wants me to deliver the guided imagery to a group.  Since my voice is intentionally soft, he said to either use a microphone or play the recording and have good quality speakers.

3.  Redo.  The last piece of feedback was about the script and my voice.  He said I should start by inviting the listener to get comfortable and prepare his/herself to relax.  Then, he urged me to blend my voice,  My voice sounded choppy to him, like I finish describing one part of the body and immediately jump to the next.  He suggested that I round it out and make it like a circle versus a square.  He said that I should be completely relaxed myself as if I was going to fall asleep.  I explained that I can achieve this quality more easily when I have an actual person with me.  He asked me to grab a volunteer to receive some relaxation while I re-record the track for him.

What I love most about all of this is that we have yet another topic to talk about.  Not only does he discuss it, but our conversations are intellectually stimulating.  Listening to his feedback was like listening to an artist trained in Fieldwork.  No judgment, clear language, and expressive.

Focus:  Understanding.